You may have noticed Damian Dinning has become a loyal PureView Club member and even likes to contribute to what the club´s offering (like his Lumia 1020 shots and the ones from the N73 to the 808 PureView).
In what unexpectedly has become a three-stage rocket, I’m very proud to be able to present Damian’s opinion on the Nokia Lumia 1020 after testing it out for more than a month.
His feedback so to say, his vision on what’s good and what might need to be improved. I promise you it will give you some very interesting historical insight and inside information…
Once again, the stage is for Damian Dinning!
It’s relatively easy to see how ambitious the development of the original Nokia 808 PureView was.
A super-large 41mp sensor, in a phone!? Reportedly so mad in fact that tech bloggers didn’t run with leaks they received apparently, because they considered such rumours of a 41mp phone as so far beyond belief it was a story without any form of credibility!
I fondly remember some of the initial reactions. Perhaps my favourite being that of a CEO of a well-known far-east based company who visited the Nokia booth immediately after the announcement at MWC. After taking a few minutes to carefully study the performance he then slammed the device down on the counter, uttered an expletive term (I won’t mention here on Marc’s site) and then promptly stormed off with his entourage trailing behind him!
When it came to considering development of its follower, the team were certainly not short of ambition either. They knew it would need to be thinner given the trend for thinness [at times, a somewhat ridiculous infatuation] in the industry, but also knew that there would be a natural expectation for it to also be ‘better’. Added to this, the knowledge that the Lumia 920 would be entering the market before and with OIS, would naturally lead to the expectation that OIS would also be included in this follow-on product.
In summary, the team would need to deliver a slimmer product with the design language that has become a Lumia trademark, which would therefore dictate a smaller camera module, yet one which would meet or exceed the cumulative expectations set by both the Lumia 920 and 808 PureView – so no small task!
I was privileged to have been involved in the initial concept creation for the Lumia 1020. Initially, I had in mind the camera being integrated into the overall product design more along the lines of the 920. This was based on my view at the time that these are smartphones which are ever evolving to also include fantastic cameras, but are NOT cameras. An important distinction to me at the time.
However, over the years I’ve learnt that it’s important to also remain open minded for as long as possible, before reaching a conclusion.
The original models, often referred to as wax models, have little/no colour and can be quite rough in texture because of the way they are ‘printed’. As a consequence they really focus your consideration of the concept on form and size more than anything else. Initially I was sceptical whether this proposed design direction was appropriate, given it was placing so much emphasis on the camera by employing some strong traditional camera design overtones.
Before concluding the direction, models were commissioned with a far higher quality finish in a variety of principle proposed colours. A number of select individuals got to view these before I had had the opportunity myself. Following those reviews I had heard reports of those that had seen them describing the design of one of the models design intent as ‘iconic’.
It was a few days before I had the opportunity to see for myself what others had already seen. These models are ridiculously expensive and are therefore wrapped in soft cloths and transited in individual custom made boxes to perfectly fit their specific form to ensure they are fully protected as they go on their travels. In some cases I’ve even known them handled with white cotton gloves as the decals can be extremely fragile.
I clearly remember my eyes lighting up as the product manager carefully removed one of the models finished in yellow from its protective hiding place. I instantly knew I had to have one… and in yellow!
When Nokia kindly sent me a yellow Lumia 1020 recently I was as blown away by the form and the colour as I was all those many months ago. For me, the black is too understated given what’s within, and the white is fast becoming the new silver, kinda boring.
Despite my departure from Nokia I’ve had a number of people asking for my view on the Lumia 1020, especially compared to the previous benchmark, the 808 PureView. I can imagine this site has a lot of followers who want to be reassured in one way or the other: either my current 808 is better than the 1020 and therefore will continue to be happy in the knowledge it’s still the best, or that the 1020 would be a worthy investment.
In case you’re wondering, I’m posting this because I wanted to, not because anyone at Nokia asked me to or any other conspiracy theory your imagination may conjure up ;)
I’m going to comment principally on image and video quality, but before I do I just wanted to comment on the excellent work Nokia has done around the ‘Pro Cam’ lens, my personal view is that this is a real benchmark camera interface.
I’m a big believer in attention to detail. For example the rotating user interaction elements as you change the device orientation, the little clicks you hear as you slide the rings from one setting to another, not to mention the the additional controls such as shutter speed (along with guidance if the settings aren’t going to potentially workout and the live updating of the ISO as you change the shutter speed) as well as manual focus.
The tutorial feature also deserves high praise. That’s a benchmark right there, love the interactive element and being able to see real results change as you flick through the settings, fabulous!
I also like the ability to reset all settings by sliding out the on-screen shutter key. Although, personally I’d like this to reset to my default settings rather than a Nokia decided default.
This is a great platform experience for further development. I therefore couldn’t resist the temptation to share some thoughts on future development possibilities with my old friends at Nokia, which I’ve already done :-)
As a quick summary before getting into detail, I generally like the results from the 1020. Having said that, some additional options would accommodate a wider range of users’ preferences. With this in mind, read on…
Let’s start with the easy one (well at least relatively): video. There’s no contest in video performance, the addition of optical image stabilisation makes a massive difference which frankly has to be experienced first-hand to be fully appreciated. Video is all about smoothness and Nokia’s OIS creates beautiful smooth flowing video.
Regardless of the improvements OIS brings to still image quality as well as extending the range of situations you can record in where others are simply unable to record an image e.g. low light, its addition to video can easily be underestimated! When I’ve previously used the Lumia 920 and now the 1020, it blows me away how smooth video can be. Panning can look as if you’re using a Steadicam, it’s that good!
There are a couple of areas which warrant attention though. Without doubt, the first of these is focus during video, not being able to use touch focus during video shooting can be a significant restriction in what and how you can record the action. I can imagine Nokia are already aware of this and working to hopefully bring it in a future update. I also have to admit a little disappointment the 808’s slide zoom (with pre-framing) didn’t make it.
Still image quality:
I’ve read a lot of commentary around the 1020’s still image quality. Whilst the majority would seem to be extremely positive, I’m very much aware that there have been a number of negative comments. Those seem to be centred on noise, sharpening and colour saturation or as a summary some may say, ‘over-processed’. Especially when making comparisons with the 808 which made a reputation for itself based on its unprocessed images, something no other competing device today can emulate.
Over the last few weeks I’ve been studying images from both the 808 and 1020 and pondered which one is better and why.
Before Nokia introduced the 808 we had learnt that there were a growing group of people who appreciated vibrant and sharp images viewed full-screen.
The 808 was equipped with both saturation and sharpness settings in its creative mode. Furthermore, it also provided different colour saturation depending on the mode in use. Automatic provided slightly more vivid colour whilst the intent for Creative was to provide more neutral colour, in a bid to cater for a wider range of subjective preferences towards colour.
Having worked for a few years at Kodak, I had been exposed (pardon the poor pun) to a lot research and insight in to subjective preferences relating to colour reproduction.
Colour is perhaps the hardest aspect of digital imaging to get right in the first place across a wide range of scenarios and colours, but it becomes significantly more complex as you throw in subjective preferences.
Before digital there was film – remember film? Before working in Kodak’s digital & applied imaging group I had spent 10 years at Minolta (prior to the Konica Minolta merger and the eventual sell off of most imaging assets to Sony). In those days it was somewhat easier, the two main (but not only) choices in terms of colour preference were provided courtesy of Kodak and Fuji.
Kodak typically provided more vivid and vibrant colour whilst Fuji was better known for its more natural reproduction. In fact depending on the film from each brand, the vibrancy of colour could be slightly different e.g. Kodachrome vs. Ektachrome.
Both of these specific [transparency/slide films] were targeted more to the enthusiast/professional, especially Kodachrome. Whilst for the mass market, Kodak provided films such as Kodak Gold which provided strong punchy reds, yellows and blues, but was considered to be weaker in greens than Fuji.
It won’t be a surprise to you as to which of these brands I had a personal colour preference towards ;)
In the days of film there were a few tricks which photographers would use to increase the vibrancy of colour. The first being to reduce the exposure level slightly. Many photographers did this by changing the ISO setting so as to provide an exposure which was very slightly under exposed, typically minus 1/3 EV. Adjusting the effective ISO meant it easy to use exposure compensation on top of this ‘calibration’ if required in certain situations.
The other trick was the use of a polarizing filter. Apart from being very useful to reduce reflections on glass and water, this also served to improve the vividness of colours, often used to increase the strength of blue skies beyond what they were originally. This was more about creativity than any desire to reproduce colours exactly as they were.
Kodak’s colour science was to effectively attempt to reproduce colour as your ‘mind’s eye’ remembered it. The theory being, as I have often explained in this example: A red rose photographed on a cloudy day is remembered as being far more vivid than it actually was. Kodak strived to reproduce colours in this way. Whilst at Kodak I would often debate this approach, fuelled by my own colour preferences :). However, it was only when I joined Nokia and saw the research and evaluation first hand that I was able to better understand Kodak’s approach.
Nokia benchmark image/video quality by capturing images/videos in a variety of conditions with a range of devices which all reproduce colour (as well as other image attributes) slightly differently. These images are then evaluated in fixed controlled and repeatable conditions. A number of people are invited to closely evaluate these images for different aspects of image quality, for example sharpness and colour. The exercise is repeated regularly with different products to ensure Nokia’s own products are fully optimised to provide images/videos which are subjectively considered to be the best.
When Apple introduced their first real effort at a camera in an iPhone with the iPhone 4, the colours were often commented on as being over saturated. I don’t know for sure but in my own experience it seemed this was dialled back at some point through one of their sw updates and with the introduction of the 4s improved upon further.
Both of these products seemingly prioritised sharpness and colour over noise. Broadly comparable products available at the time had significantly less noise, but perhaps not such high levels of ‘perceived’ or even in some cases actual sharpness.
It was interesting to note in various forums, reviews and comments against those reviews the subjective opinions of those people writing comments.
When the Lumia 920 was introduced, this collective feedback was considered in the image optimisation process, and again (as I understand it having chatted with ex-colleagues) in the optimisation process of the Lumia 1020. Only this time Nokia were introducing new and more advanced colour algorithms.
I am of the belief that there are two core user groups which need to be considered here. The first I would summarise as the more involved photographer, especially those that spend time using applications such as Adobe’s Photoshop. Typically preferring images to be as untouched or free of enhancements from the manufacturer as possible, so they are left free to optimise the images according to their own specific preferences. These individuals are important because they can potentially influence many others.
The second group is far greater in size but less influential. Typically the preferences here are towards vivid colour (as long as it looks right, according to the ‘mind’s eye’). In terms of subjective image quality they can be influenced by relatively high levels of sharpening as they tend not to be ‘pixel peepers’ and so never look at images at such high magnification to see sharpening artefacts. High levels of sharpening can create the perception of far more detail in an image when viewed at full screen on a laptop or tablet for example.
Apple appears to do very well against this second group, whilst traditionally Nokia, especially with products such as the N8 and 808 are highly appreciated amongst the former group. Of course I’m generalising here, before you start filling the comments section up on this point – it’s not exclusive.
So having little exposure to what Nokia actually did behind the scenes with the Lumia 1020, I would guess they were more influenced by the feedback from reviews, evaluation etc. pointing them towards optimisation of colour and sharpness more in-line with the preferences of the larger second group summarised above.
So what about my own personal experience?
Compared against the 808, there is a clear difference in pretty much all situations. In some cases it may be argued the 808 can be too pale in its colour reproduction whilst for some the 1020 oversaturated.
Personally, when looking at my images captured with both, I was in most cases drawn more to the images from the 1020 as opposed to those captured with the 808, even though I know they may not be exactly as the original scene or subject appeared.
It was when I pondered should Nokia change this and why, that I recalled the background I shared earlier, especially how film photographers would often purposefully aim to boost colour through under exposing and/or the use of polarizers.
Yes, there are some situations (Marc already did an excellent post on this a few weeks back which outlined this issue very clearly here), where the 1020 seems to reproduce colour which is too yellow or golden. I believe this is a specific issue Nokia need to better understand with a view to fixing. I noted it in my own evaluation from time to time but was often overcome by capturing a second image and thankfully didn’t appear to be too common occurrence in practice.
Outside of this specific example I must say I do like the colour reproduction. However, I believe that a relatively small reduction in colour saturation may improve its overall performance, given in some cases it does appear to be slightly oversaturated even amongst those that prefer vibrant colours.
Given the number of comments from those expressing a clear preference towards natural colour I would recommend Nokia introduce an additional setting of some form or another to allow such photographers to select this as a preferred way of reproducing colour.
I suspect it will need to be more sophisticated than simply a colour saturation control as colour reproduction doesn’t behave in such a linear manner across a variety of scenes and subjects. So I don’t expect this to be easy, it will be highly involved to get what essentially may prove to be another set of optimisations.
However, I would perhaps argue that in low light the current colour optimisation seemed to be an improvement over the 808. The 808 can more often than I would have liked be considered too pale. Such a setting would need to be persistent so it can be set once, until purposely changed again by the photographer.
Sharpness, detail and noise:
This I knew would be the toughest aspect for Nokia to get the balance right, given the module is smaller, the pixels are smaller and the height of the module is smaller compared to the 808. Most of these are mitigated by one or more aspects. E.g. pixel size in terms of light gathering through the use of a larger aperture so more light reaches the sensor and the use of a BSI sensor so more light reaches the pixels themselves.
Referring to our two groups again, for full screen viewing I would argue Nokia have it close to bang on in terms of noise, sharpness and detail.
However, for the pixel peepers amongst you, based on multiple forums and comments provoked by reviews, it’s clearly considered to be noisy and over sharpened when comparing against DSLR’s or even Nokia’s own 808. Some commenters even expressed the view that images are not truly ‘PureView’ as a consequence of images exhibiting noise.
I therefore spent quite a bit of time looking into this. Here’s what I found:
Comparing full resolution images of the 808 with those of the 1020, noise and sharpness/detail are IMO broadly speaking quite close, with possibly the 1020 having a little more detail in some situations. With hindsight perhaps there were not enough oversampled images shared at the launch and too many full resolution images. After all, even the 808 has some noise at full resolution. As said at full resolution there’s little difference between them IMHO.
When looking at the ‘oversampled’ images, yes, the 1020 appears to be highly detailed and very sharp, but on closer inspection (pixel peeping), when compared against DSLR images and those of the 808 shot at the same time, the sharpening (edge enhancement) is perhaps for some too aggressive and as a consequence noise becomes visible at high ambient light levels where the 808 provides zero noise.
I don’t have access to RAW images as Nokia would so I’ve had to work with my already processed images, but even so this proved to be a very interesting exercise. I took the full resolution image captured at the same time as the 5mp oversampled version and then resized it to the same resolution as the 5mp output image using Photoshop’s various resizing tools.
Whilst not the same as oversampling as well as being applied to an already compressed and processed image, it does suggest that 808 like detail and noise reproduction would be possible. In fact in some cases I would perhaps argue that the image from the 1020 provided more detail.
If you’re currently using a 1020 and prefer the 808 style oversampled images you could use Photoshop as I did to relatively easily reproduce such images. Select one of the bi-cubic options (try all three and decide which gives the best balance of noise and sharpness for you) and then type in the image resolution you want to ‘oversample’ to.
In the example crops shown here you can see the difference in sharpening artefacts, detail and noise when significantly less sharpening is applied in the 5mp oversampled images vs. Nokia’s current ‘oversampled’ original and the 808’s 5mp oversampled images.
If you click on these images, the original will open in a seperate window (hover with your mouse over the shots to see the caption)
On this basis it may make sense for Nokia to provide some form of option for sharpness handling. For arguments sake let’s call it sharpness with at least two options, one being high or enhanced (the current) with another being low, minimal or natural. This setting would provide roughly the net level of sharpening applied to the full resolution images but for 5mp oversampled images.
The goal I would recommend being skies with little/zero noise and no obvious sharpening artefacts when viewed at 100-200% when using 1x zoom. Based on my limited and restricted Photoshop trials, this should provide ‘808 like’ image quality, possibly even slightly more detail than the 808 in some situations. What’s your view?
In low light, I think Nokia already has the balance about right for sharpening, detail and noise handling where it seems a significantly lighter touch has been applied to sharpening. My above recommendations are therefore for good ambient lighting levels and enjoy the benefits OIS provides in low light.
You may be wondering, of the outlined recommendations, which would I use myself? For colour handling, in most situations I probably would use the default (although ideally as said with a little less saturation/colour vibrancy) but at times change across to a more natural setting.
With regard to sharpening, I would use the setting which provides the lowest sharpening, for me, I like the low/zero noise and smooth clean details the 808 produced, even if the images ‘look’ less sharp at lower viewing magnifications. However, I can also see for ‘snapshots’ myself using the super sharp setting. Viewed on our projection screen at home, they do look rather awesome!
Which would I use, 808 or 1020? Definitely the 1020, even as it is today.
I love it (especially in yellow! :-)
I want to express my gratitude to Damian Dinning for choosing the PureViewClub to share his feedback on the Nokia Lumia 1020, together with some very interesting historical insight and inside information. I’m looking forward to your reactions, and I’m sure he is, too.
Marc Wielaert, PureViewClub.com